First off, we need to straighten something out. Flora is NOT meant to represent Catherine Dickens. She's meant to represent Maria Beadnell, Dickens's girlfriend from his youth. Time to fire your researchers, I think, Ms. Linney!
Moving right along . . .
When we left off last week, almost the last thing I wrote was about Amy being like a high school girl writing her hoped-for future married name all over a notebook. Actually, it looks now like John is more the type to do that. (He talked that way in the book, too; I'm glad they kept it. But I miss his little cane with the pointing finger on top. And his mother! She was funny.) John's sweet, but it's kind of sad how he and her father are planning out her future in the prison -- "she would always be here" -- and not seeing a thing wrong with the idea.
Get a load of that hair! I was not aware that Henry Gowan was an escapee from the cast of High School Musical. And I'm sorry, but that dog does not look like a "Lion." A Fifi, maybe, but not a Lion. Cute dog, though.
Claire Foy and Russell Tovey are very, very good here. I see she's letting him get his proposal all the way out, which surprises me; it seemed like Amy was stronger in the book when she asked him straight out not to propose, and told him she trusted him never to interrupt her walks in her favorite place again. And I thought this adaptation was all about bringing out her strength. But she hits a nice balance here between compassion and firmness. And he is just heartbreaking. (Brought my mother to tears, in fact.) Although not too good at taking a hint, poor thing.
Daniel Doyce isn't quite as I pictured him -- I thought of him as older -- but I like him. Zubin Varla has a nice little air of wry detachment that suits the role.
Ooh, a Dorrit brother fight! The Frederick of the novel wouldn't have had the strength, the daring, or the disrespect to say even that much (at least not yet). It adds a subtle touch of malice, though, to William's words about how decrepit he's getting and how he'd be better off in the prison. Mr. Chivery's face is incredibly eloquent during that speech. He's getting to be the go-to man for ironic commentary around here (his "It's not as if she's royalty" in the previous installment was quite the devastating little insight).
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