. . . There lies all Genoa, in beautiful confusion, with its many churches, monasteries, and convents, pointing up into the sunny sky; and down below me, just where the roofs begin, a solitary convent parapet, fashioned like a gallery, with an iron cross at the end, where sometimes early in the morning, I have seen a little group of dark-veiled nuns gliding sorrowfully to and fro, and stopping now and then to peep down upon the waking world in which they have no part. Old Monte Faccio, brightest of hills in good weather, but sulkiest when storms are coming on, is here, upon the left. The Fort within the walls (the good King built it to command the town, and beat the houses of the Genoese about their ears, in case they should be discontented) commands that height upon the right. The broad sea lies beyond, in front there; and that line of coast, beginning by the lighthouse, and tapering away, a mere speck in the rosy distance, is the beautiful coast road that leads to Nice. The garden near at hand, among the roofs and houses: all red with roses and fresh with little fountains: is the Acqua Sola—a public promenade, where the military band plays gaily, and the white veils cluster thick, and the Genoese nobility ride round, and round, and round, in state-clothes and coaches at least, if not in absolute wisdom. Within a stone's-throw, as it seems, the audience of the Day Theatre sit: their faces turned this way. But as the stage is hidden, it is very odd, without a knowledge of the cause, to see their faces changed so suddenly from earnestness to laughter; and odder still, to hear the rounds upon rounds of applause, rattling in the evening air, to which the curtain falls. But, being Sunday night, they act their best and most attractive play. And now, the sun is going down, in such magnificent array of red, and green, and golden light, as neither pen nor pencil could depict; and to the ringing of the vesper bells, darkness sets in at once, without a twilight. Then, lights begin to shine in Genoa, and on the country road; and the revolving lantern out at sea there, flashing, for an instant, on this palace front and portico, illuminates it as if there were a bright moon bursting from behind a cloud; then, merges it in deep obscurity. And this, so far as I know, is the only reason why the Genoese avoid it after dark, and think it haunted.
My memory will haunt it, many nights, in time to come; but nothing worse, I will engage.
Pictures from Italy, "Genoa and Its Neighbourhood"
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